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“... It takes a great deal of history to produce a little literature.             Henry James, Life of Hawthorne But, first of all, is there a history of silence?    Jacques Derrida, Writing and Difference Literary history? Can there still be people who believe in it – or them: literature, history, literary history? Are not all texts on the same level, just texts? Is history not something synchronic, merely a different way of talking about language? The views implied by these rhetorical questions seem wrong to many people, myself included ...”

“... I once received this stern admonition from an English editor: ‘If you intend to be a Japanese novelist whom we are translating into English, okay – I accept your manuscript as it is and will get on with publication. But if you wish to be considered an English writer, then you must rewrite. Don’t narrate to us, show us. And-then-and-then is not the way we want a story told ...”

“... written (no wonder Eliot liked it). The preference has moved now to Amphitryon, called by Earl Miner ‘his greatest comedy and one of the greatest comedies in English’. More recently, Howard Erskine-Hill, pursuing a political theme, sees the writer as doing a ‘particularly brilliant thing’ in Amphitryon; and Michael Cordner three times ...”